Art + Science
Writing at the Intersection of Art and Science
Philosophy of the Selfie
The selfie may be only pixel deep, but it is a way for us to preserve our sense of self. Selfies are, in a way, their own mirrors: they show our image for the world to see as we want to be seen, and they safeguard against the fear of losing control of our minds and lives.
Photography and the Feelings of Others: From Mirroring Emotions to the Theory of Mind
Our ability to identify with and imagine someone else’s point of view is deeply ingrained into the architecture of our brain. Photography plays a unique role in triggering the network of brain regions that underlie empathy. To understand how photographs activate the aforementioned brain network, it’s first necessary to deconstruct emotional processing into simpler components. In this article I’ll describe the brain regions that support one of the most fundamental social skills that humans have: that of imitation.
Instagram and Anxiety of the Photographer – Part III
Over the past few years, iPhoneography has created a new form of photography that has and will continue to re-structure how we interface with technology, gather and generate data, and how we create narratives. iPhone (and similar smartphone) users employ mobile photography to disseminate mass amounts of information, to subvert cultural institutions, and for political rallying. These behaviors parallel the same strategies of the radical Avant-Garde art movements of the 20th century.
Instagram and Anxiety of the Photographer – Part II
The Avant-Garde movements of the 1910s, the 1960s, and the 2010s (via mobile photography) have not only changed photography but did so by further integrating technology with art, allowing photography to become unbound from its predecessor, unbound from space, and unbound from time as we once knew it. It is this fracturing of photography and art into all imaginable directions that generates anxiety about the future of photography (art by proxy) and creates a new generation of photographers unbound by the past. This opens up an entire generation to forms of thought that is nearly absent from the previous generation.
Manipulated Photographs, Manipulated Memories
Photo manipulation is nearly as old, if not as old, as photography itself. It has been used in state propaganda, to unify nations, for aesthetic and creative expression, to generate fear, and the list goes on and on. As technology advances, altering photographic images has become quite easy. This begs the question: do the images we see convey accurate information?