Art + Science

Writing at the Intersection of Art and Science

Nostalgia and the Collapse of Imagination

Nostalgia and the Collapse of Imagination

Photography emphasizes nostalgia to visualize and understand a future that we cannot—or try not—to imagine. The ever-increasing use of retro nostalgia within the space of photo-sharing may collapse the ability to imagine a coherent future by altering the region of the brain that forms autobiographical memories.

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Philosophy of the Selfie

Philosophy of the Selfie

The selfie may be only pixel deep, but it is a way for us to preserve our sense of self. Selfies are, in a way, their own mirrors: they show our image for the world to see as we want to be seen, and they safeguard against the fear of losing control of our minds and lives.

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Instagram and Anxiety of the Photographer – Part III

Instagram and Anxiety of the Photographer – Part III

Over the past few years, iPhoneography has created a new form of photography that has and will continue to re-structure how we interface with technology, gather and generate data, and how we create narratives. iPhone (and similar smartphone) users employ mobile photography to disseminate mass amounts of information, to subvert cultural institutions, and for political rallying. These behaviors parallel the same strategies of the radical Avant-Garde art movements of the 20th century.

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The Decisive Moment and the Brain

The Decisive Moment and the Brain

As a photographer, you will sooner or later bump into the phrase the decisive moment. The decisive moment is a concept made popular by the street photographer, photojournalist, and Magnum co-founder Henri Cartier-Bresson. The decisive moment refers to capturing an event that is ephemeral and spontaneous, where the image represents the essence of the event itself.

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Manipulated Photographs, Manipulated Memories

Manipulated Photographs, Manipulated Memories

Photo manipulation is nearly as old, if not as old, as photography itself. It has been used in state propaganda, to unify nations, for aesthetic and creative expression, to generate fear, and the list goes on and on. As technology advances, altering photographic images has become quite easy. This begs the question: do the images we see convey accurate information?

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Memory, Photography, and the Human Brain

Memory, Photography, and the Human Brain

There has been a good deal written about the similarities of the camera to the eye as well as the computer to human memory. What I would like to do is clarify the uniqueness of the human brain from camera technology and at the same time show the similarities between brain function, photography and cognition.

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