Art + Science
Writing at the Intersection of Art and Science
Nostalgia and the Collapse of Imagination
Photography emphasizes nostalgia to visualize and understand a future that we cannot—or try not—to imagine. The ever-increasing use of retro nostalgia within the space of photo-sharing may collapse the ability to imagine a coherent future by altering the region of the brain that forms autobiographical memories.
Philosophy of the Selfie
The selfie may be only pixel deep, but it is a way for us to preserve our sense of self. Selfies are, in a way, their own mirrors: they show our image for the world to see as we want to be seen, and they safeguard against the fear of losing control of our minds and lives.
Instagram and Anxiety of the Photographer – Part III
Over the past few years, iPhoneography has created a new form of photography that has and will continue to re-structure how we interface with technology, gather and generate data, and how we create narratives. iPhone (and similar smartphone) users employ mobile photography to disseminate mass amounts of information, to subvert cultural institutions, and for political rallying. These behaviors parallel the same strategies of the radical Avant-Garde art movements of the 20th century.
Instagram and Anxiety of the Photographer – Part II
The Avant-Garde movements of the 1910s, the 1960s, and the 2010s (via mobile photography) have not only changed photography but did so by further integrating technology with art, allowing photography to become unbound from its predecessor, unbound from space, and unbound from time as we once knew it. It is this fracturing of photography and art into all imaginable directions that generates anxiety about the future of photography (art by proxy) and creates a new generation of photographers unbound by the past. This opens up an entire generation to forms of thought that is nearly absent from the previous generation.